The literary world celebrated a new champion as Michele Mari was crowned the winner of the 80th Strega Prize for his novel I convitati di pietra. This gripping tale, set against the backdrop of Milan weaves a dark and intricate story of 30 former classmates from the Liceo Classico Giovanni Berchet who make a sinister pact in 1975.
The novel’s unique narrative structure, modeled on Agatha Christie’s Ten Little Indians follows the classmates as they gather annually to update their grim tally of survivors. As the years pass, the group dwindles, and the story takes unexpected turns, culminating in a shocking finale that challenges the very rules of their agreement.
The Milanese Tapestry of I convitati di pietra
Milan is not merely a setting in Mari’s novel; it is a living, breathing character that shapes the story. The city’s historic churches, cultural institutions, and residential neighborhoods serve as the stage for the unfolding drama. Let’s explore some of the key locations that bring the narrative to life.
The Sacred Landmarks
The novel’s somber tone is amplified by the inclusion of several iconic Milanese churches. The Basilica di Sant’Ambrogio one of the city’s most symbolic landmarks, hosts some of the funerals that mark the class’s dwindling numbers. Founded in the IV century by Saint Ambrose, this basilica is a masterpiece of Lombard Romanesque architecture and a treasure trove of artistic and historical significance.
Other churches that play a role in the story include the Basilica di San Babila a paleochristian basilica with nearly 1,600 years of history, and the Chiesa di Santa Maria della Passione located near Piazza San Babila. The Chiesa di San Marco in the Brera district, known for its artistic heritage, also features prominently in the narrative.
The Cultural Institutions
The novel’s intellectual undercurrents are reflected in its cultural settings. The Liceo Classico Giovanni Berchet where the story begins, is one of Milan’s most prestigious educational institutions. Located at Via della Commenda 26 it has nurtured generations of cultural, political, and journalistic figures.
The Piccolo Teatro Studio Melato part of the renowned Piccolo Teatro di Milano is another key location. Dedicated to theatrical experimentation, it serves as a backdrop for the cultural lives of the novel’s characters. Named after the acclaimed actress Mariangela Melato, it has been a hub for artistic innovation since its inception in 2013.
The Residential Landscape
The private residences of the novel’s characters offer a glimpse into the social ambitions and rivalries that drive the story. These homes, scattered throughout Milan’s historic neighborhoods, reflect the evolving dynamics of the classmates as they navigate life’s triumphs and tragedies.
A Controversial Victory
Michele Mari’s victory at the Strega Prize was not without controversy. The novel, written in less than a month, was considered by many to be the clear favorite. However, remarks allegedly made by Mari about the late writer Michela Murgia sparked a media furor and led to speculation that the prize might elude him.
In the end, Mari’s novel secured 190 votes edging out other notable contenders. Matteo Nucci came in second, followed by Bianca Pitzorno in third place. Despite the controversy, Mari’s win reaffirms the Strega Prize’s reputation for recognizing an author’s career as a whole, rather than a single work.
When asked if I convitati di pietra was the book he would have chosen to win the prize, Mari responded with characteristic candor: No. He suggested that Leggenda privata might have been a more deserving candidate, acknowledging that it’s often not a writer’s best books that win. Nevertheless, he expressed his gratitude and commitment to celebrating all his literary creations.
